Total Fake Collection
fake culture
In a fact this work is my reaction on a fast design, fast fashion, repeatability and secondary. I worked with the classical form of the vase
and wrote the inscription - Replica. By this word, I emphasize not the uniqueness of the object, the ability to copy it. The second vase is a copy
of the first vase. The difference is that the inscription on the second vase, copied from the photo of the first vase. Therefore the copied
inscription is distorted. The inscription on the third vase copies the inscroption on the photo of the second vase, the inscription of the fourth
vase copies the inscription on the third and so on. Continue to copy until the quality of the photo and distortion will allow to copy.
and wrote the inscription - Replica. By this word, I emphasize not the uniqueness of the object, the ability to copy it. The second vase is a copy
of the first vase. The difference is that the inscription on the second vase, copied from the photo of the first vase. Therefore the copied
inscription is distorted. The inscription on the third vase copies the inscroption on the photo of the second vase, the inscription of the fourth
vase copies the inscription on the third and so on. Continue to copy until the quality of the photo and distortion will allow to copy.
Pendants in the form of fists. In criminal tatoos, often on the phalanges they write names. In my work on the fists are depicted logos,
labels, slogans. This work reflects my attitude towards logo mania. Inscriptions on clothes, brands substitute for a person's name,
its significance.
labels, slogans. This work reflects my attitude towards logo mania. Inscriptions on clothes, brands substitute for a person's name,
its significance.
A figurine of a child, a toy doll. Throughout the body there are tattoos. This creates a contrast between the fragile and harsh,
childish and adult.
childish and adult.